Flange is a weird Effects pedals. It is not always fitting for lots of music. I think lots of guitar players have trouble trying to choose where the effects most closely fits in with their sound. In lieu of the direct punch & obviousness of other effects, flange is an overlay that tampers with the frequencies surrounding your signal.
These bands usually sound dreamy & ambient on a regular basis. The flange pedal, without being overbearing, creates the dimension that makes lots of these bands sound memorable. In the event you have ever heard of Slowdive, My Bloody Valentine, or School of Seven Bells, you will listen to (the slower songs ) massive waves of flange over everything from guitar to bass to cymbals. You require to find the right tool to have on board with you. One time you figure out the sound you are going for, you are golden.
On loud, humming amplifiers, you can actually listen to the flange effect from lots of pedals. It will waver up & down & up & down through the excitement that the amp is making. It is a powerful effect. It may take some getting used to. In the event you have a nice tool as well as a respectable understanding of the way it can be used, I think it can be of the best pedals out there. A few bands have actually mastered the art of using it constantly.
The Line 6 Liqua Flange is of the best units I have come across. It's controls for Speed, Depth, Feedback, Time & Mode Selector. The Mode actually lets you sift through 11 different wave formations to find which suits you most perfectly. There is a Model switch that lets you select either Digital, Liquid, or Analog.
With ease of use, affordability, & premium sound quality, it is a wonder to me that I do not see more of these on stages across America.
There is also another switch for polarity with negative & positive options. icy thing about this Line 6 model that lots of others do not include is tap temp. In the event you require the wavering of your flange to be in ideal time, fear not. You now have a classy, hands free way to keep it all in line.
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