There are so many guitar effects pedals on the market and it is hard
to know what the difference is between them. Categorizing effects pedals
has been difficult. There has been little consensus on how to do this.
There are six common classifications: Dynamics, time based, tone,
filter, pitch/frequency, and feedback/sustain. This article will focus
on the Dynamics Classification and the Tone Classification.
Dynamics Classification: Clean Boost/Volume Pedal, Compressor Pedal, microphone amplifier.
Clean
Boost/Volume Pedal; Amplifies the volume of an instrument by increasing
some aspect of its electrical signal output. These types of effects are
usually used for "boosting" volume during solos and preventing signal
loss in long "effects chains"
Examples: Fender Volume pedal, Dunlop MXR Amp effect, Visual Sound True Tone Clean Boost
Compressor
Pedals; stabilize volume and smooths a note by dampening its onset and
amplifying its sustain. Compression is achieved by varying the strength
of a signal to ensure volume stays within a specific dynamic range.
Examples:
Dunlop's MXR custom Comp pedal, Erockson Compressor/Sustain pedal, Boss
CS-3, Aguilar TLC Compressor, BBE Benchpress pedal.
Microphone
Preamplifier or "preamp"; Increases a microphones low voltage output to
levels that can be picked up and used by equipment such as mixing
consoles and headphones.
Tone Classification: Distortion, Overdrive, Fuzz, Lo-Fi
Distortion
and Overdrive; distort the tone by adding "overtones" creating
different sounds such as "warm" "dirty" "gritty" types. Distortion
effects produce the same amount of distortion at any volume. Overdrive
units produce "clean" sounds at a lower volume and distorted sounds at
louder volumes.
Examples: BBE GreenScreamer, Dunlop MXR Distortion
III, MXR custom GT overdrive, Dunlop Zakk Wylde Overdrive Pedal, BOSS
Bass Overdrive, Pigtronix Aria Distortion pedal, Pigtronix Disnortion,
Visual Sound Jekyll & Hyde Ultimate Overdrive, and Route 66 American
Overdrive.
Fuzz Pedal or " Fuzzbox"; A type of overdrive pedal
that clips a sound-wave until it is nearly a square wave resulting in a
heavily distorted or "fuzzy" sound. The Rolling Stones greatly
popularized the use of fuzz effects.
Examples: Electro-Harmonix Big Muff, Visual Sound Angry Fuzz Octave, Boss Fuzz, Dunlop MXR Blue Box Octave Fuzz.
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