Warning: If you wish to artlessly apprehend how the Anamnesis or DL4 
sound, I’d acclaim any of the 83,784,729 top superior videos out on 
YouTube. Anniversary pedal has a actual audible tone, but I’m traveling 
to be primarily talking about features.
As a guitar amateur and cautiously accepted lifetime accessory head, I 
would say my tastes appear pedals, amp, and guitars has consistently 
advised acumen and advantage over uniqueness.  And if it comes to 
adjournment pedals, those like me now accept options.
The Line 6 DL4 has been the standard, affordable, Swiss Army knife for 
guitar players back its absolution in 2000. Three presets, tap tempo, 16
 answer and adjournment models, 24 bit stereo processing, and a looper 
with some fun toys (reverse, bisected speed).   But its cons accept been
 could cause for acrimony for just as long.  There is a cogent arresting
 accident at top accretion levels (push any affectionate of top 
accretion overdrive or baloney in foreground of it, even the blooming 
ear will notice) , they accept a addiction to breach often, and the 
banal switches are actual loud,  flimsy, and inaccurate.  But even with 
these issues, the DL4 is the body of abounding able pedal boards (Dave 
Knudson of Minus The Bear uses TWO on his board, Drew Shirley of 
Switchfoot with the JHS mods, I could go on and on), which is why I 
bought one three years ago.
It is amazing to me the in 12 years, Line 6 has not adapted the DL4, 
even once. They accept kept the same, neon green, Klingon searching 
casing, the aforementioned furnishings models, and the aforementioned 
parameters.  I admired my DL4, in allotment because I knew its faults 
central and out. But already I saw the column for a three preset, tap 
bounce delay, with switchable agenda values, stereo output, and a looper
 alleged the TC Electronic Anamnesis X4 on this actual website, I got 
rather excited. I mean, just because you’re adequate with your accepted 
adherent doesn’t beggarly she is absolute for you, right? Sometimes 
you’re just due for an advancement (Says the individual guy in his 
mid-twenties. Spare me the eye roll, I‘ll get to the point)
So both pedals accept three presets, and a tap tempo, so four switches 
on anniversary enclosure.  On the DL4, the six knobs are appointed as 
the Presets (with the Looper accepting one of the presets), Adjournment 
Time, Repeats, Tweak, Tweez, and Mix.  Appealing self-explanatory, with 
the Tweak and Tweez accepting controls that change for anniversary 
preset. Some are the bulk of breakdown you apprehend in the delay, some 
are for modulation. For the stereo delays, they about-face into the 
additional Adjournment Time and Repeat for the appropriate channel, 
respectively. The Tweak and Tweez can either be actual agreeable and 
inspiring, or actual ambagious and annoying.
On the Flashback, (before I go any further, can we all abeyance and 
yield apprehension of the Back To the Future appearance font? Doc would 
be proud) there are 5 knobs, as follows:  Presets/Delays (12 congenital 
in, 4 spots for Accent Prints) Adjournment Time, Acknowledgment 
(Repeats) Adjournment Level (Mix) and Looper Level.  There are two 
switches; one for selecting adjournment value, a division note, a dotted
 eighth, or a division + dotted eighth (which if you are active the 
pedal stereo, splits whichever adjournment you are on to a stereo sound.
 The division on one side, dotted eighth on the other), and again a 
about-face for employing the Adjournment or the Looper.  Obviously the 
alone time the Looper Lever bulge is in aftereffect is if the Looper is 
selected. The advancement from the DL4’s Looper to the Flashback’s is 
the “Undo” feature. But you don’t get DL4’s half-time or about-face with
 the Flashback.
The branch sounds you accept to plan with amid the two pedals are 
similar, for the a lot of part. Tape, tube, analog, digital/2290, lo-fi,
 ping pong, reverse, etc (The Anamnesis adds a Space setting, one of my 
favorites). The DL4 has its “Rhythmic” delay, which is artlessly a 
adjournment assigned to a dotted eighth (based on the accepted broke or 
set tempo), so if you wish to use a dotted eighth on any of the added 
adjournment settings, you bigger accept a appealing authentic foot, or 
be abundant at accepting polyrhythmic limbs. I’ve approved it, its 
tough. With the flashback, it is artlessly a switch. So you tap your 
division note, and what you apprehend is the dotted eighth. This was 
HUGE for me. I acquisition that “Where the Streets Accept No Name” 
adjournment ambience to be actual inspiring.
A aberration of agenda as able-bodied amid the two is the adeptness to 
accomplish “feedback noise”. With the Flashback, alteration the 
feedback, or repeats to absolute will alpha to acknowledgment (delay on 
top of delay), but alteration the adjournment time will artlessly 
accomplish the accepted adjournment die out. You will apprehend it 
acceleration up/slow down, and again bound achromatize away. With the 
DL4, they did a abundant job of battling that cheep that would appear if
 you were to change the adjournment time while you were still playing. 
Now if you amalgamate this address with an absolute acknowledgment 
setting, you can play with a countless of altered conflicting like 
noises out of the DL4 (The addition to Interstate’s “Can’t Stop Me Now” 
beneath is an example), but this about doesn’t abide on the Flashback. 
Also, the mix knobs plan actual differently. With the DL4, you accept no
 adjournment arresting if the bulge is all the way to the left, and no 
guitar arresting all the way to the right. With the Flashback, you 
accept no adjournment arresting all the way to the larboard in agnate 
fashion, but all the way to the appropriate you still accept affluence 
of guitar signal, just a abundant louder adjournment signal. Both of 
these differences are things I absence in my DL4. I like to accept the 
option.
Other appearance that the Anamnesis X4 threw in were the accurate 
bypass/buffered modes, in which you can adjudge if the adjournment 
arresting will abide afterwards you accept angry you adjournment 
complete off, and the Accent Print area of the pedal. This can by synced
 with your smartphone or computer, and you can “Beam” settings from 
other, able-bodied accepted players to your Flashback. This is a actual 
fun feature, but it has its drawbacks; the presets are fabricated by a 
actual absorbing mix of affair players and guitar icons (I can alone 
book that up to what music accept to be big in Denmark, area TC is 
located) and you accept to be one of these baddest few in adjustment to 
actualize your own tone. I would adulation to get my easily on the 
affairs and create! Also, the chargeless Accent Print app has been a bit
 choosy as of late. I just switched to an iPhone afterwards two years 
with an Android, and there accept been some issues with the “Beam” 
advantage on both formats, so beware.
All and all, I’d say I’m blessed with the switch. But just like the 
memories you accept from your endure accord that pop up on the radio in 
anatomy of song and forward you into a blurred acerbity of tears and ice
 cream, I still absence my DL4 from time to time. But if you were 
cerebration if switching, I’d awful acclaim accepting to a Guitar Center
 and aggravating it out!
And again buy it from your bounded absolute guitar shop.
Happy playing!
 
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